MY HUSBAND WAS SLEEPING WITH OUR HOUSE MAID-Eucharia alleges
By David Ajiboye

Ace actress Eucharia Anunobi yesterday disclosed to an Ikeja High Court, Lagos, Nigeria, how her husband Charles Ekwu allegedly slept with their 13-year-old housemaid several times in their matrimonial home.

Eucharia made this allegation while giving evidence in a divorce suit she instituted against her husband before the court on grounds of infidelity, lack of care and abandonment. The suit was filed in 2007 but had suffered several setbacks until Wednesday when the trial resumed.

Eucharia, while being led in evidence by her lawyer, Michael Nwana, narrated to the court in tears how her husband slept with their 13-year-old housemaid, beat her up severally and refused to take care of their children.

Eucharia-Anunobi

According to Eucharia, she had been living happily with her husband until 2006 when she caught him having sex with their housemaid. She further told the court:  “we got married in December 2000 but have been living apart since 2006 when Charles started sleeping with our housemaid. When I discovered the incident, he was ruffled and decided to move out. Our children have not seen him since then and he has not shown concern for their upbringing.”

Eucharia also alleged that her husband was a dishonest person. “Barely three months after I conceived, I found out that he was a very dishonest person. He lies about almost everything.”

She also narrated how her husband turned her into a punching bag. “He beats me virtually everyday. I got the mark that is now permanently on my right eye from his punches.”

Eucharia is asking the court to make an order dissolving her marriage, grant custody of her children to her and award N10 million cost against her husband for the upkeep of their children.

By Ali Baylay

The second major location in Area Mama (De-Kross Movies) introduces the viewer to an ill-clad wife, Adanne (Mercy Johnson), as she sits in a barren living room feeding her son with garri when her husband drunkenly staggers into the room and jumps on her in a fight. The abuse continues until Adanne bloodies the husband’s forehead before escaping with her son from the scene. At her aunt’s home, Celia, her globe-trotting drug courier cousin who doesn’t believe in “stupid marriages” and thinks “a woman’s life is not all about marriage,” volunteers to take Adanne to the city. In Lagos, she hands Adanne over to Mama Gee who manages a household of Ashawos (prostitutes). What Adanne is about to find out is that “In Lagos every dog eats shit” as Celia will later tell her.

A producer means business when he casts two top billing actresses, Eucharia Anunobi (UK) and Mercy Johnson, and crowns them up with Patience Ozukwor. I mean Mama Gee, the mother of Nollywood films. The trio can set any screen afire and they manage to pull off one poorly written screenplay in Area Mama.

An unguarded women’s liberation this story is, though. Adanne runs from an abusive marriage in exchange for running the streets of Lagos, even to the point of sleeping with men whose “concern for a prostitute is the action and not any emotional problem”; Celia (Eucharia Anunobi) condemns marriage but traffics drugs from one continent to another while she keeps a gigolo in her bed; and Mama Gee (Patience Ozukwor) runs a brothel and finances a younger man as she sits in loneliness and drinks her life away. One must assume there is something missing in the lives of these so-called liberated women.

Mercy Johnson, who made her screen debut in Kenneth Nnobue’s The Maid , recently interviewed for the AfricanMovieStar.com, denied sleeping with the top brass in Nollywood, but in Area Mama she learns fast at playing an excellent hooker. However, the poor screenplay couldn’t allow the Igbira babe to give a stellar performance.

Area Mama is a story with universal lessons: One can never run away from the truth as evidenced in the personal experience of Adanne. She escapes an abusive husband but ends up in brothel servicing an abusive patron. Second, money can’t bring happiness as Celia with all the fleet of cars and the mansion would come to find out that while she’s away slugging it out like a man and trafficking drugs between continents, the gigolo she leaves at home entertains prostitutes in her bed – monkey wok baboon eats. Lastly, the irony of Mama Gee stuffing her little cache with Naira made off of a stable of innocent girls, a table in front of her full of imported liquor, and drinking herself to death does not spell happiness. The first time Mama Gee appears in this movie, she’s alone and she ends up alone at the end of the story.

Area Mama isn’t a redemption song for the African woman nor is it an advise for the woman in abusive marriage. To an extent, it tells the viewer the level Adanne falls from grace by following the footpath of Mama Gee and Celia; that running a brothel, no matter how lucrative, can be a lonely one. And the fleet of cars and a mansion bought with drug money buys Celia fake friends.