“THE ONLY ROLE I CANNOT PLAY IS THE ROLE OF A WOMAN” -OSITA INEME

David Ajeboye, entertainment reporter for the Nigeria Tribune, Nigeria’s Entertainment Reporter of the Year, staff reporter for AfricanMovieStar.com holds his first interview since he joined the staff

Pint-sized actor Osita Iheme has come a long way in the Nigerian movie business popularly called Nollywood. Together with his acting mate, Chenedu Ikedieze, they have taken the Nigerian movie industry to the next level with their acting prowess. In this interview, Pawpaw, as he’s popularly known, opens up on how it all began, his sex life, his kind of woman and movies generally. Excerpts:

What made you think you could act?

I love acting and I believe I could do well. God and my family supported me spiritually, emotionally and morally. That was why I decided to act.

If you were not an actor, what would you have been?

I believe God would have provided another thing for me to do. It could have been anything.

You had this captivating grip on people when you came on the scene. What do you think was responsible for that?

I would say we all have unique features at creation. I believe I’m different and peculiar. I believe God made me different so that I would stand out from the crowd wherever I am. I believe that is why I look catchy; you know, being a particular person, everything you do attracts other people.

You speak better English than most people in your industry. Did you learn that in school or through personal development?

Even one’s time in secondary school has to do with personal development. So it is a result of my time in school and personal development.

How many movies have you done?

I have over 80 movies to my credit.

Has that made you a millionaire?

I’m comfortable. I can’t say if I’m a millionaire or billionaire.

Is it true you charge over N500,000?

I charge whatever I think is okay for me.

Who is helping you spend the money?

Family, my God and myself help me spend the money. And I thank God I’m doing well.

Since one cannot be on the scene forever, what do you hope to do when you leave acting?

I’ll continue to act all through my life. I don’t pray to leave acting. Even if I do other things, I will continue to act. Acting does not have an age limit. I can still act at 100.

What other things do you do aside acting?

I model. I’m sure you’ve seen one or two of them. I also do some businesses outside entertainment.

We never knew you could dance until we saw you on the stage of African Movie Academy Awards.

As a showbiz guy, one is supposed to be versatile; and as an actor, you will always act. Dancing is actually in me and I believe that I can do well. Before the issue of everybody singing, I wanted to sing; I left my music in the studio, so I am cooling down till the craze of actors’ singing passes. I know it is part of my future. I don’t want to release everything I have now.

Why did it take you so long to break away from the comedy roles to start playing mature roles?

You know in the Nigerian film industry, marketers continue to use you for the same role you play in a blockbuster film. What happened was that comedy brought us to the limelight and everybody wanted us to do comedy for them and we were shooting comedy because we were seeing the money. We were carried away seeing that kind of money coming to us, so we did not mind that kind of job. After a long time, I decided to repackage myself to come out with a good image. It doesn’t mean we don’t do comedy again. If you bring a very good script, I will do it, not the mischievous act of Aki and Paw Paw you used to know.

How did you get to participate in your first movie?

My first movie was Cold Blood in 2001. I went for an audition and they saw my physique. It’s like what I said about everybody’s uniqueness; that played an important role in my case. That audition was in Aba. My first lead role was in Aki na Ukwa. That was the movie that brought Chinedu and I together and that was in 2003.

Do you think your kind of actor would continue to sell since you said you would act for as long as you are able to?

Of course I still have a lot to showcase. I have not expended all I have. Stories are different so you will have to play different roles. I believe I will continue to sell. I don’t carry myself anyhow and I manage myself well. If I see this is not working for me, I withdraw and repackage myself. This is my profession so I take it very serious. I don’t do it for doing sake. I went to New York Film Academy to study on the job. I paid almost $5,000 as school fees. I can’t go to all that length and misbehave. I present myself in a way that would suit the public.

Is there any role you cannot play?

The only role I cannot play is the role of a mother because I’m not a woman. I can play any other role.

Will your deep involvement in films not prevent you from furthering your education?

No. Right now, I’m seeking admission into the University of Lagos or University of Nigeria, Nsukka, and by September this year, I would be there.

Someone told us you don’t have the neccessary O’level qualification.

It’s a lie! Tell the person it’s a lie. I have my O’level complete.

What do you hope to study at the University?

I hope to study law. Though I’m a science student, I’ve wanted to do law, so right now, I’m out for it.

We learned women don’t give you a breathing space.

It is not that they don’t give me a breathing space. What happens is that they cherish my acting; it is like every star. Your fans cherish you and appreciate your work. So it is not that they don’t let me rest, they simply like my movies.

Do you like girls?

When God created Adam he created Eve as well, so if I like girls I don’t think it is a bad thing.

Have you heard of anyone before?

No.

Do you have a girl friend?

Sorry that is personal.

Is it true you are a virgin?

Wonderful question, but that is too personal. Anyway, how do you know a virgin?

Okay, when did you get deflowered?

I didn’t say if I’m a virgin or not, that is too personal.

When will you get married?

When God says, ‘my friend it is time to marry’ I will go for it.

Let’s say something like five years’ time?

I don’t know, anytime God says yes, even if it is 20 years he will direct me which way to go.

Does it embarrass you when people think you are a small boy?

No, not at all.

What if they say you are too short?

No, if I do, that means I’m questioning God.

So you like the way you are.

I’m proud with the way I am.

Do you agree with those who feel whosoever will want to marry you would do so because of money?

I will not go for that kind of girl. Like I said God will tell me who and when.

What will you like to tell your fans?

I want to say thank you for making me stay on, and I want to say too that wherever you are, take that bold step, don’t shy away from the crowd; believe in yourself and do things for yourself.

My Story is a hybrid form of Fatal Attraction. Vickey, a married woman, introduces Stanley to her elegant pad like a lion lures a prey to his den. Once in the den she eventually succeeds in seducing him with a kiss (I nominate this kiss as Nollywood’s on screen kiss of the year) and Stanley’s innocence is deflowered. He has eaten of the apple and like Adam, before us, is left corrupted. His entire world revolves around this married woman.

Vickey’s shrewd manipulation of Stanley to kill the old hag of her husband makes Stanley an accessory to murder. Having killed her husband and now left with a young and restless boyfriend who can’t get enough of her loving, she becomes disdainful of him and decides to poison Stanley. Seeing the lead man from Beyonce on the floor, spilling blood and painfully dying, makes My Story Part 1 a pure Greek tragedy.

“It lies not in our power to love or to hate for the will in us is overruled by fate,” Christopher Marlowe says in one of his poems. This statement is appropriate for Stanley (Van Vicker, The President’s Daughter, American Boy) as we see him enthralled by the beauty of Vickey like a deer caught in the glare of headlights. The seduction of Stanley by Vickey (Omotola Jalade-Ekehinde) is too overpowering. In the opening scenes in Vickey’s bedroom, Stanley, is completely helpless in the face of the formidable beauty of Vickey. In Beyonce, he lusts, but in My Story, he personifies the fate of Adam. Stanley’s falling in love with Vickey and his ultimate death by poison is the work of fate.

“Whoever loved that loved not at first sight,” Marlowe says at length. The phallic desire in people for another person is uncontrollable, mysterious and inexplicable. It violates logic. Why Stanley should fall in love with a married woman is everybody’s wonder and to finish a murder she initiates exceeds my comprehension.

The moral of this well rounded Part 1 of My Story is that, first, there is no second guessing falling in love, for people always do so at first sight; and second, whatever comes out of a relationship is predestined. Well, the theme of My Story is universal based on the premise-freewill, fate, and predestination. My Story is a human story Nollywood should be telling more on the screen.

Ali Baylay/Publisher.

POPULAR gospel film company, The Mount Zion Film Ministry, has released another block buster entitled The Broken Pitcher.

The movie is a joint-production of both The Mount Zion Film Productions, Nigeria, and The Northward Film Productions of Redeemed Christian Church of God, Household of Faith, Arlington, Texas. It was a result of a two-week church drama training course held for the church drama team by Evangelist Mike and Gloria Bamiloye of The Mount Zion Institute of Christian Drama in July 2007. The Broken Pitcher was written by Evang. Mike Bamiloye and the Executive Producer is Pastor Ebenezer Ropo-Tusin of the Household of Faith, Arlington, Texas.  The film was partly shot in Nigeria and mainly shot in Arlington, Texas, USA.

It has a universal message for everyone outside their country; for the Africans in diaspora and for the Christians worldwide who find themselves outside  their countries. The Broken Pitcher is the story of a Christian couple (Mike Bamiloye and Meg Anenih) who relocate to the USA with the help of God and a strong vow to serve Him and fulfill all His purposes when they get to the foreign land. Their prayers are answered and as soon as they get to the USA, but they soon forget their promises and vows and things begin to happen to them which they never expected.

The husband gets enticed and enslaved by a strange fellow and the wife gets enmeshed in a strange relationship. Their daughter, too, gets captured by the strange wind of the land and their lives begin to veer towards disruption. The movie features Mike Bamiloye, Margaret Anenih, Wunmi Awotoye, Gloria Bamiloye, Gbenga Awotoye, Michael Cole and others.

David Ajiboye/staff writer.

The proverbial ‘caught in the act’ suggests sexual impropriety. My libido flares at the connotation of the meaning. Imagine an enraged husband bursting into a flee-infested motel room, catching his wife and his driver making out. Choosing Caught in the Act wasn’t a choice based on the star-studded line up, but rather was based solely on the title. It is a thought provoking title that anybody might snatch off a store shelf. I admit, I’m a victim!  Wow, what’s in a name?

A night club acquaintance of young Mrs. Evelyn Duke approaches her as she sits picnicking with her mother-in-law, the elder Mrs. Duke. The acquaintance knows young Mrs. Duke as Jane, a girl he met one night on the town. Then the dam breaks in this tight high society business family. Shrewd old Mrs. Duke is convinced beyond doubt her daughter-in-law leads a double life. Clarion Chukwurah got quite in form in this open-ended thriller as a snobbish, hateful and discording character. We see young Mrs. Duke (Jane) as a  prostitute for one goon on the west side of town and working for another goon on the east side as a child abductor.

Director Christopher Orzoemenn puts together a stellar cast here: Clarion Chukwurah, a veteran actress who made her screen debut on Money Power in the early 80s; Koffi Adjorlolo, a veteran Ghanian actor; Nonso Diobi, a 27 years old up-and-coming actor who made name for himself in The Richest Man; and Genevieve Nnanji, a 24 years old Lagos-Nollywood-movie phenom.

Beside its disjointed scenes and non-convincing dialogue, Caught in the Act is a sound script. The young Mrs. Duke, known alternately as Jane and Evelyn, does assume character. I guess at age 24, 50 films will definitely give one the ability to judge a good and sound script. The most intresting part of this movie is Genevieve’s ability to alternate roles. At the Duke’s, she speaks like a refined upper class, high society lady. And when she goes out on the town, a bimbo in her own right, she speaks the pidgin English with a fluency of a Nigerian street hawker. Her delivery of both is flawless. However, the movie would actually be better if we got to actually see her get caught in the act!

Ali Baylay/Publisher.