Tonto Dikeh Dates Fred Nuamah

BY DAVID AJIBOYE
David Ajiboye
Nollywood’s current hottest, richest and pretty-faced young actress, Tonto Dike, who once dated Nigerian top music producer, Don Jazzy, has found the best rhythm to her heart’s desire in Ghana, African Movie Star has gathered.

The light-skinned actress, a close source told this reporter, is having a clandestine love affair with Ghanaian new actor and producer, Fred Nuamah, who also doubles as manager of Ghana’s International Boxing Federation (IBF) Bantamweight champion, Joseph Agbeko and an erstwhile radio presenter.

Tonto and Fred

Tonto and Fred

Not surprisingly, the two suspected lovebirds have denied having any amorous relationship. While the actor said he does not even know the sexy-lipped actress, she on the other hand informed that they are ‘just friends’.

A couple of weeks ago, Tonto was in Ghana to shoot her new movie with Young Father Productions, owned by Samuel Ruffy of ‘Honey Kuchi-Kuchi’ advert fame. Fred, according to a  reliable source, was all over the place with Tonto.

On three different occasions, in the middle of the night, Fred was allegedly spotted sneaking in and out of the Genesis Hotel, located off the Accra-Kasoa road, where the actress had lodged.

Tonto, the source continued, could not make time to complete her production and had to leave for Nigeria. Some members of the production, the source said, blamed Fred for Tonto’s inability to finish shooting. Fred, the source disclosed, came to pick Tonto up while on set “and that was the end”.

The next time the production heard of the two, they were at the Kotoka International Airport as she sneaked out of the country.

However, the movie’s director, John Izedonmi, who confirmed Tonto’s inability to finish her job while in Ghana, said Fred could not be blamed.

“Fred has nothing to do with Tonto’s failure to complete the movie. It is not just possible that he would walk to location and pick her like that. Apparently, Tonto might have thought she had completed shooting her role and asked Fred to pick her up.

It was after she left that the Production Assistant (PA), after looking through the script, realized that she was left with four more scenes to do,” he said.

According to him, Tonto would be returning sometime soon to complete her scenes.

We gathered that a few days after Tonto left the country, Fred followed her to Nigeria “to continue from where they left off”’. But when contacted, the dark-skinned and afro hair-styled gentleman, in his reaction, said he does not even know Tonto Dike.

He admitted going to Nigeria, but said he was in that country to see Ramsey Nouah over his up-coming movie.

Sadly, however, Tonto let the cat out of the bag when in a telephone interview she said Fred was a friend.

Hear her: “I have a relationship with Fred? Are you kidding me? Is that what people are saying? That is very funny. It is a stupid rumour to me. Fred is my friend just like every other person that I have met. I do not have any amorous relationship with Fred.”

Efforts to get Fred to react to Tonto’s claim proved futile as his close associates said he had left for Las Vegas to oversee arrangements for Joseph Agbeko’s next fight.

Ramsey Nouah however confirmed Fred’s trip to Nigeria  saying, “Yeah, he came looking for me a couple of days back. He came to see me. He came to drop a script for me. He called me and we had an appointment. That’s it.”

Frank Rajah also confirmed reports that he introduced Fred to Tonto but denied they are dating.

“Tonto is my good friend and when I was going to pick her, Fred went with me and everybody in the industry knows Fred is a very kind-hearted person. When Tonto met him, she liked him because the guy is a kind-hearted person and they related very well.

When Tonto was leaving, she called Fred to pick her up to the airport and he went to take her straight to the airport.

So I don’t see anything wrong with being a friend to somebody. Fred is a friend to everybody in the industry. Many of the Nigerian stars who come here stay in his house,” he concluded.

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All I Ever Wanted

Ali Baylay

Starring:  Desmond Elliot, Magid  Michel, Tonto Dikeh,Uru Eke, Ejine Okoroafor;  Producer: Okey Okonkwo, Director of Photography: Alex Effiong; Production Managers: Ifeanyi Udokwo, Boniface  Ogbonna; Executive Producer: Okey Okonkwo; Director: Daniel Ademinokan; Story: Ral Nwankwo. 100 mins. 2009

 All I Ever Wanted is a story with voice over narrative told from the point of view of Didi (Sandra Uchemba), the oldest daughter of Eddy (Desmond Elliot). She is not warming up to the girl friend and soon-to-be wife, Binye (Mercy Johnson) of her father. Didi’s idea of a happy family is nothing more than her, her two siblings, the father and the aunt, and she considers any other person, be the girlfriend of her father, as an intruder. She is at a tangent with her sibling sister, Kachi (Chidera Anih) who cunningly put both her father and Binye together, as she wants mother figure in the household. Didi abruptly stops eating, leaving her family at the dinner-table and bursts into tears, when her father announces he’ll soon be marrying Binye.

 All I Ever WantedWith not much ado in this straight-jacketed story, Binye comes to the rescue of Didi, when Didi experiences her womanhood and gets really scared at the sight of blood. For the first time, Didi values the presence of another member in her father’s household and even goes on to cherish the child, a son, Binye brings into the family.

 Chinelo Uzoigwe’s screenplay, except for the wonderful acting of Desmond Elliot and Mercy Johnson, has poor plot mechanics, and no tearjarking incident that makes the story stand out as memorable.  In other words this story falls flat. It is the same run of the mill story: One character doesn’t like the other character for some reason, and bam, incident occurs that will unite the two. If All I Ever Wanted has had a radio or any other form of communication that will enable Eddy and Binye to get together, it would have been the classic case of the movie, Sleepless in Seattle. One thing in All I Ever Wanted that didn’t escape my notice is I can’t quite get a grasp on the scene of Eddy’s altercation with his wife in the bedroom and to the point of reference that his wife died in a plane crash. I want to believe this scene is a flashback but on the other hand, it seems in the present. You bet I wouldn’t have been confused if this scene had appeared in a prelude.

 Voice over narrative “I” as intended in All I Ever Wanted, is a beautiful device that can tell story from personal point of view, but just as useful as it can be, it is sometimes mostly overused or underused as in this film.

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Native Son

By Ali Baylay

Franco Films. Producer: Igboanago Chinedu Nathaniel. Director: Tchidi Chikere. Associate Producer: Tchidi Chikere. Executive Producer: Igboanago Chinedu Nathaniel.

Cast: Ini Edo, Tonto Dikeh, Mike Ezuruonye , Ifeanyi Ikechukwu.

Anyone who has ever read Thomas Hardy’s Return of the Native would be reminded of the book at a first glance of the title of this movie, Native Son. And come to watch the Native Son, the story plot is so akin to the classic, Return of the Native, that you’ll predict the beginning, middle and the end of Native Son.

Native Son however do not have the tangled love drama  of Clym Yeobright , Eustacia, Thomason, and Wildeve in Return of the Native, and in fact there is no such tragedy as befalls Thomas Hardy’s characters.

Native Son unfolds the same way Return of the Native starts, with a wagon rolling into town with Thomasin Yeobright. In Native Son, a van boarded by an older man and a young beau, Nerissa (Tonto Dikeh) slowly taxis into a village, and two native boys are playing football in the street, oblivious of the van. In another scene Nerissa, happens on a dwell between the same native boys umpired by a bigger native son, Igwe (Mike Ezuruonye). Nerissa is flabbergasted, shocked but on the other hand, there is an unspeakable exchange of interest between her and Igwe. Igwe’s would-be village girl Tochukwu (Ini Edo) happens upon the scene.

Nerissa introduces herself as a city girl by taking out a pack of cigarette, holds one to her lips, fires it up and pulls one big puff, turns around and leaves. All at present are askance, and particularly Tochukwu, envious and jealous. If Tochukwu thinks she’s the only rooster in this rural community, she’s got to compete with an urbanite over Igwe.native-son1

The serenity of the village is broken from this point on and the pastoral story is put into a speedway mode. A chance meet by Igwe and Nerissa on a secluded country road and, Igwe’s subsequent ride in Nerissa’s van to Igwe’s house, and Tochukwu’s chance arrival upon Igwe getting out of the van results in a brawl, that sets Igwe’s hut ablaze as both girls are locked in wrestling. This is the only tragedy in this film comparable to the snake bite and drowning of Hardy’s characters.

The village court authorised both Nerissa and Tochukwu to build back the hut and after which Nerissa leaves the village back for the city, broken hearted. Nerissa and Igwe however missed each other and their paths never crossed again until twelve years later, when Igwe, now educated and married with children sitting behind his office desk lets his secretary usher in a waiting business officer who turns out to be Nerissa.

I hate to say this, this movie is not a serious production.  Mike Ezuruonye’s part-one (Pidgin English) delivery is not quite convincing and I even keep thinking why an award winner like Mike could have taken part in this project. We all do pay bills, but with thirty or more films under ones belt, it is time we start filtering through the myriads of projects that showed up on our desks.  Again most supporting actors and actresses only say their lines and never actually deliver. 

The whole idea of producing a story akin to a classic is ruined by one single oversight or negligence: What in the world, a purple dot doing in the frame (lens) of every shot in this 150 minites film? The  movie has this annoying purple dot  following the actors wherever they go. One thing comes to mind that either some cinematographer was in training  or, Nollywood is not paying attention to dailies, or at best they do not really care what the end product turns out to be. This production isn’t an award winning  one.

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