THE 6th edition of African Movie Academy Awards (AMAA) held last recently in Yenagoa, Bayelsa State, Nigeria saw Kunle Afolayan’s movie The Figurine emerged the top winner of the night, claiming all of five awards. However, Afolayan, who only yesterday returned from the New York African Film Festival to attend the event, did not get the coveted Best Director Award. Ghana’s Shirley Frimpong-Manso, director of The Perfect Picture clinched the award. Ramsey Nouah, who’s away in the US,  missed the event, but was able to give his acceptance speech (for winning Best Actor in a leading role) after Kunle Afolayan placed a call to his mobile phone and placed the phone on speaker.

FULL LIST OF WINNERS

AMAA BEST PERFORMANCE BY AN ACTRESS IN A LEADINGROLE: JACKIE APIA (PERFECT PICTURE)

By David Ajiboye

Malawian top actress, Flora Suya, is a top contender in this year’s Best Actress category at the African Movie Academy Awards (AMAA), scheduled to take place on Saturday,  April 10, in Yenagoa, the Bayelsa State capital. Suya’s role in the movie, Season of a Life, earned her the nomination, alongside other A-list actresses like Ghanaian Jackie Appiah, Lydia Forson, Naa Ashorkor Mensah-Doku, Stephanie Okereke and Bimbo Akintola, who just got her first nomination at AMAA for her excellent performance in the movie Bond and Fred Amata’s Freedom in Chain.

The chairman of College of Screeners, Mr. Shuaib Hussein said that Flora Suya might be the revelation AMAA has thrown up this year, adding that the award was fulfilling its mission and set objectives, as other African countries were coming out strongly in the business of film making.
“Flora Suya’s role in Season of a Life is superlative.  She is a complete talent that will go places in her acting career.  It is also a wake up call and challenge for our top actors and actresses to up their games. Nominations for awards anywhere in the world is a function of quality of work, professionalism and not whether anybody is an A-list star or not,” said Hussein.

Hussein also said the entries received from  North African countries, with Algeria and Egypt as strong contenders in the Best Animation category continued to attest to the popularity and acceptability of AMAA as the most respected recognition platform for the film industry in Africa.
Kunle Afolayan’s Figurine and Izu Chukwu’s Nnenda and The Child,  were among 30 films that made the nominations for this year’s African Movie Academy Awards, out of the over 280 entries received across Africa.

At a colorful nominations party held at Mensvic Hotel, East Legion, Accra, Ghana last Saturday, the nominations were announced by Hussein, chairman of College of Screeners.

In the Best Actor’s category are Ramsey Nouah, Lucky Ejim, Majid Michael, Odera Ozoka and John Osie Tutu, for their roles in The Tenant, Sin of a Soul, The Figurine, Soul Diaspora and I Sing of a Well.

Kunle Afolayan, Shemu Joyah, Shirley Frimpong, Leilla Jewel Djansi, Jude Idada and Lucky Ejim will slug it out in the Best Director category.  At the star-studded nominations party in Ghana included Mr. Richard Mofe-Damijo, Delta State Commissioner for Tourism and Culture; Rita Dominic, Segun Arinze, Osita Iheme, Paul Obazele, Ejike Asiegbu, Dickson Iruegbu, Kunle Afolayan, Steve Ayorinde, Muma Gee, J. Martins, among others.

Mr. Emeka Mba,Director General Nigeria Films and Video Censors Board(NFVCB) delivering his address at the African Film/Television Programmes Expo held in Abuja.

Some dignitaries rendering the national anthem at the event

Nollywood Actor,Francids Duru making a remark at the event.

Oba Dosumu,the traditional ruler of Owu Kingdom presenting an award to top Nollywood producer.

More pix from the Event

More pix from the event.

More pix from the event

More pix from the event

By Ali Baylay

Starring: Ramsey Nouah, Magid Michel, Nse Ikpe-Etim, Mercy Johnson, Desmond Elliot,Omoni Oboli; Screenplay: Uyai Ikpe-Etim/Bula Aduwo; DOP: Austine Nwaolie/Issac Martins; Executive Producers: Emem Isong, Desmond Elliot; Editor: Uche-Alex Moore; Producers: Emem Isong, Desmond Elliot; Director: Daniel Ademinokan; Assistant Director: Desmond Elliot. c.2009

Guilty Pleasures is one of the few Nollywood productions that’ll surely go into cinematic history as a classic. To a large extent it has the makeup and flare of Citizen Kane. Terso in Guilty Pleasures shares the insolence and self righteousness of Orson Welles in Citizen Kane in his Zanadu mansion.  Just the way Welles idolizes Susan Alexander, so Terso idolizes Liz in Guilty Pleasure and they do so to a fault that cause their happiness to go asunder.

Guilty Pleasures is a narrative of two divorced wives telling how they were each robbed out of their marriages. Each story has a semblance of classic Hollywood: Citizen Kane on one hand and Fatal Attraction on the other. The stories are told interchangeably by the two and the screenwriters Uyai Ikpe-Etim and Bula Aduwo do so cleverly without confusing viewers. In one account the wife throws the husband out, and in the other, the rich husband cannot help but throw the pig back into the sty.

Kinetchi (Rob Loner) is a photographer who on a gig, runs into Boma (Mercy Johnson) and have a one night stand with her and vanishes out of his life at least, for a moment. Later, their path crosses and it is portraits after portrait at the beach and a night at her pad. When Kinetchi too vanishes obviously on a honeymoon with a newly wed, Boma is stressed out and goes into a massage parlor. While there, the newly wed wife Nse (Omoni Oboli) visits and she’s introduced to Boma and found out that Boma is an interior decorator.  She invites Boma to their house for a dinner and sleepover. Boma,  having come to know this lady stole her heart jumps on the invitation. While Kinetchi’s wife sleeps, he tiptoes into Boma’s room more to satisfy an insatiable desire for her than for her to get out of his life. They’re caught having it out in the living room and he lost the marriage.

The other guilty pleasures take place in the household of Terso. He is a wealthy man of good taste who showers his wife with anything beautiful, but his attention. Terso’s attention could not be dissuaded from his business meetings and trips in exchange for the attention to his wife, so when Terso’s wife takes his photographer younger brother Bobby (Magid Michel) from the airport, at first there’s love-hate introductory relationship between them.  Bobby is young and hot, and every young girl’s dream, especially any girl posing for his camera will fall under his spell and warmth, as did his brother’s wife Liz, an old model. She in turn has been missing the glare and glamour of showbiz coupled with Bobby’s presence in the house, fills the vacuum created by Terso’s absence from her bedroom. She falls prey to Bobby’s almost psychotic gesture towards her, and allows him to deflower the long buried flame of desire in her. That is how Eve (Liz) left Eden.

One cannot review this movie without looking at the line up of the cast. No one other than Ramsey Nuoah would have played the character of Terso more exactly than himself. He has the persona and the perfect grit  for the role. Ramsey has played mostly affluent Nollywood roles to the point that he can be typecast. Most of all, forget the skin tone, the camera loves him. He doesn’t pose he acts and he delivers in Guilty pleasures. Other surprising acts that capture ones attention are those of Magid Michel and Mercy Johnson. Both roles are either psychotic or bordering on  neurotic. You can hear it in their deliveries, in their actions, their laughters and in their behaviors. I think the authors of this remarkable work are portraying artists as loonies.

If there’s a focal attention in Guilty Pleasures, that attention belongs to Ramsey Nouah. Like I said earlier, his acting in this flick is a carbon copy of Orson Welles at both the height of his glory and his downfall-losing his wife. And he acts with such integrity and persona that George Clooney would envy. In the whole movie he’s neither too aloof in the beginning nor softhearted in the end.

I can bet my bottom dollar on Guilty Pleasures to make your evening grande. The energy that went on to produce this movie is visible on the screen. Thanks to Desmond Elliot and partner for having such a sumptious production. An engrossing story! Guilty Pleasures is a romantic, nostalgic, and a sentimental presentation, period.