By Ali Baylay

Executive Image Movies and Franco Films Presents: Emeka Ike, Nadia Buari, Chika Ike, Fredo Arico, Emeka Ani; Production Manager: Ben Ayosinti; Producer: Kenneth Okonkwo; Editor: Nnoshiri Charles Brain; Exec. Producer: Kenneth Okonkwo; Director: Ugo Ugbor; Principal Locations: Ghana/Nigeria; 133 mins. c2009.

The Followers is a topic that invokes religious connotations as in ‘disciples’, but don’t be fooled brother, this is a film glorifying animism and devil worship with Christian church simply as a front. To a large extent however, the use of such plot device to carry the story to the finish line didn’t prove worthy at all. To be honest, I keep asking myself the essence of devil worship in the tract. Let me belabor the story here for you, but don’t feel disappointed if all the plot asides not useful to the story are not told. We simply pick the grains from the chaffs.

Sandra (Nadia Buari), an uppity clean cut young girl is forced by her mother to join her in the Wednesday prayer-worship at the church. At the church, while prayers go on inside, Sandra nonchalant, sits outside and toys with her cell phone. Inside, one of the worshippers fall swoon on the floor obviously taken over by the demon but manages to enter the spirit of Sandra and provide her gateway to the underworld. In the underworld, Sandra is betrothed to a demon who won’t allow her marry to humans. He kills a suitor who meets Sandra’s mother asking for Sandra’s hand in marriage. 

Having buried one suitor, burial or concern for the death of suitor not shown in the movie, Sandra meets Bob (Emeka Ike) the same guy who sacrificed his mother to the devil for the sake of getting rich in the Warriors of Satan. Without a glitch, Bob marries Sandra and except for occasional sneezes when Sandra’s underworld husband, the Demon visits him in his office, the marriage continues unabated.

Sandra did not have any child with Bob but she did have two girls with the Demon, as we see her feeding them in real life but lets them vanish into nothingness before Bob could enter the living room. In the last scenes of the Followers, the Demon airlifts Bob from in the arms of Sandra as they lay asleep in the bedroom, and deposits him by the way side at the thoroughfare in the heart of the city, while he takes Bob’s place by Sandra. The film ends.  

To be honest, I feel disappointed when the curtain went down on this movie. Unless part 3 might be in the making, I could call this a cliff-hanger resolution. What powers Bob might have possessed that makes him not killed by the Demon like did the first suitor, and there’s  not a single confrontation between Bob and the spirit world. This here makes the story flat. No intensity. Nada.

Pastor Jude’s flirtatious and sexual gestures toward his female followers in the church are used understandably as an exposition. But even in the face of such device, the scenes and incidents are so long that they take on a life of their own. This movie would have hit the mark if there was to have been a confrontation between the gods of the underworld as is in the Trojan War over Helen. Pastor Jude would have inherited Bob to redeem his wife Sandra from the grips of the Demon. In speaking structurally,  we would have enjoyed the essence of the followers if there had been open war of the gods over their human interests, and not their non-sense in the picture.

By Ali Baylay

The last time I was ridiculed, confused, and puzzled by a literary genre was when I read Wole Soyinka’s Interpreters. I read it twice with no success at understanding the novel, until an O’level class friend of mine recommended Fourah Bay College Edred Jones’ treatise, Interpreters Interpreted. Even at that, I can’t hardly have intelligent discourse on the Interpreters. In all my movie reviewing experience, Wicked Intentions baffles me the same way Interpreters does, though in the case of Wicked Intentions, the problem doesn’t come from literary ingenuity as with Soyinke’s Interpreters, a sage from the class of the likes of James Joyce, than from pure editorial oversight. Wicked Intentions is narrated mostly in flashback mode. I guess.

The movie starts with a playerlike character, Jim (Desmond Elliot), who brings girls after girls to his shag (breakheart mansion), his palour, the likes of a nouveau-riche, and creates steaming love scenes with them. He makes them believe he’s all they dream about in relationship, only to discard them the next day like a penny with a hole in it. Jim’s quest is to win over a love partner with just enough money and beauty as not to intimidate him. He runs into Charlene (Stephanie Okereke). She kisses men and leave them crying. Charlene has similar characteristics to that of Jim. Like two liars, their relationship thrives on deceptions, false promises, and hopes. I guess.

On the other hand, Charlene’s bed-ridden dad fakes heart attacks to snare her into marrying a Chubby fellow of her distaste. The chubby fellow tries couple of attempts to win over this miss-hard-to-get, but instead gets splashed in his face with a bucket full of water. Relentless though, he hired two guys who kill Jim on their wedding day even as Charlene escapes town before she says, “I do”. I guess.

Charlene explains the entire story to Kamsi  (Nadia Buari) from her POV,  by way of giving her reason why she Charlene couldn’t accept Chris (Smith Asante) in marriage even as he placards banner of love on the wall for her. A writer once said, “Stephanie has an infecteous smile, and get to talk to her, she’ll treat you like an old acquaintance”. Since her Nollywood debute in Compromise 2 in 1997, Stephanie has always brightened Nollywood screen in most of her movies. Wicked Intentions is one of those movies she performs her flawless acts. With no sweat, Steph could easily be a Hollywood material.