By Ali Baylay

Executive Image Movies &Franco Films: Starring: Emeka Ike, Juliet Ibrahim, Emeka Akolo, Charity Eke, Nora Ugo; Production Manager: Chininso Okoli; Producer/Exec. Producer: Kenneth Okonkwo; Editor: Ilo Collins E.; Director:Emeka Muangwu; Principal Locations: Ghana/Nigeria. 112 mins; c2009. 

What if God grants you the most wonderful, beautiful, obedient, god-fearing , respectful and hardworking wife and because of  a preconceived notion about certain types of women, especially those who work in the banks, as planted in your  mind by a friend who has a philandering wife, you become suspicious of your own. Being pumped up you become impatient and jealous, and drives her out of the relationship. In exchange, you end up with the most crude, gross and unorthodox girl, who wouldn’t tolerate caress or foreplay in bed because, it is the work of the devil.

Restore My Love is a linear story of  Achike (Emeka Ike), who falls in love with a clean-cut and hard working Jeneth (Juliet Ibrahim), but because of a preconceived notion of women who work in banking institutions, he becomes despondent and sends her packing, but ends up with a woman who is a mismatch for him. Actually, his friend Ossy(Emeka Akolo) causes him look at his wife, Jeneth with the wrong eyes. When he finally sees the light, he promises to go back to his wife. Meanwhile, Jeneth had been fired from the bank because she couldn’t give in to an aids-ridden bank manager. At one point, she goes back to the village to her mother but couldn’t stay and have to come back to the city and gets job with a cable company. She’s pregnant with Acheke’s child the whole while.

Jeneth’s hard to forgive Achike but being so in love with her husband, she manages to accept him back in her life and let him hold their daughter  in his arms, in their living room.

“An incredible story”, as Janeth herself at length could put it. Yes, an incredible story I can attest to. Here in Restore My Love, Achike has the natural motivation through miseries by associating himself with someone that he’s not at par with, socially. I admire him too in two scenes concerning his self realization and preparations to restore his love. One is in the scene where Achike stands over Ogby: “The party is over…I can’t control you anymore…I want you to leave my life”, even as the uncouth Ogby, could retort to his statement: “Me, a be your wife-o”.  And in another scene, he tells his friend Ossy: “I’ll swallow my pride and look for Janeth”. And so he does.

When such linear type stories are told, with not much digressions to unnecessarily hold viewers attention as we witness in other stories, we feel rewarded. I love this incredible story because it has story. The two principal players, Emeka Ike and Juliet Ibrahim fight for their interests against all odds and restore their once precious love. Now a story is told.

I cannot assign a category to this film or relate it to any recent Nollywood or Gollywood flick. It is simply enchanting . I felt pulled into the center of actions from curtain up, and I cried with Jeneth, pity Bob for the blind side he maintains into the character of a wife who dearly loves him and  at curtain down, I laughed and rejoiced with both of them and their little one like a big African family. If you’ve been turned off lately by some Nollywood movies, this I promise will keep you good company. Enjoy it!

By Ali Baylay

Cast:Emeka Ike, Van Vicker, Prince Ike, Tonto Dikeh; Produced by Pressing Forward Productions; Black Star Entertainment; Screenplay: Greg Chyke Inawodoh. 145 Minutes.

There’re really guys like this: wise guys, fast talking, tough-talking, smooth-talking and confident- building guys who can present before you a heaven on earth. They’re not your 9 to 5 kind of guys. They live by scamming, pilfering, lying, deceiving and robbing, peddling guns and drugs. They’re the best dressed, they hang out with big shots-governors, ministers, bank managers, board of directors; and they shop for, and use beautiful women and later wad them off  like flies, and beside the cordon of securities, there’s always one henchman hanging around them with a briefcase full of money. These days in modern African countries, stringent financial difficulties creates certain nostalgia for their brand of lifestyle-easy living.

Andy (Emeka Ike) is a medical doctor who cannot find job or client so he can feed himself, as he sits lamenting and soliloquizing in his little scantily dressed apartment. Then saunters in Emeka (Prince Eke), dejectedly looking after another interview flop. While both are blaming their misfortunes on the government and their gods, then comes in Jerry (Van Vicker) who is offered N15000 for a job not quite made clear in the film. These three characters assumingly bunk together in this apartment. At certain point they look like the three stoogies.

Their luck soon change when per chance Andy saves a client’s life from heart attack and this client, Chief Braimor happens to be a big time drug dealer. Being poor, and down on their lucks the three idlers soon become Chief Braimor’s drug delivery people. The three are still living together, except their condition has changed a notch up, and we see them showering party girls with lots of nairas and dollar bills at a private party, in their new marble floor apartment.

Here’s where Marshals as a story has pitfalls: First,the story doesn’t justify the title. We see Jerry and Emeka ones in the traffic, each with a briefcase, one getting in a car, and the other on a bike. What makes them become marshals doesn’t have to be just a single shot of delivery. What happens to the principle of three in story telling? I did not see any action out of the ordinary (eg. mob) that could make them  marshals for what they do except seeing them getting  in traffic.  

There’s too much telling and no showing: We never ever see what the said marshals are trading in (cocaine, pills, marijuana, counterfeit etc), nor the type of people they do business with. There’s no establishment of link between Andy, Emeka and Jerry. All these do not have history to connect them together except the fact that they live in one bedroom apartment.  Lastly, the plot line involving Cathy (Tonto Dikeh) takes so much steam out of this lackluster story.  I wonder why this plot is necessary because it doesn’t  move the story at all. Excuse me if Andy’s  gonna fall in love with her, or she’ll hire Emeka to kill Chief Braimor, in part 3, but that remain to be seen.

Until I see part 3 and see these interactions in the resolution, Marshals does not measure to its name. Indeed not all. I can guess here the writer’s aim for this story is to take a pardoxical shot at the ills of our society, and which is somehow achieved. But as a story form, and structure, the goal is not achieved.

BY DAVID AJIBOYE

Jim Iyke has been variously described as Nollywood’s playboy -a serial heart breaker, one whose motto vis-a-vis relationships with women, appears to be “use them and leave them.” Tabloid stories about his sexual escapades are in volumes, leaving many to wonder what he is looking for in a woman or if he will ever find that unique woman who will melt his heart and make him entertain the thoughts of walking down the aisle.

During a recent encounter with Jim, the issue of his playboy image and stories of his sexual liaisons were exhaustively probed. As reported before, he vehemently denied being a playboy, however, admitting that “a million women may pass through your life, but only one will stick and strike that chord in you.” It appears that that one woman may have finally materialized, and struck a strong chord in Jim Iyke’s life.

Jim Iyke

There have been some rumors and published speculations that the handsome actor may have finally found a woman of his dreams – a fact that he has neither denied nor confirmed, until now. Jim Iyke was asked explicitly if he had finally found the elusive dream woman, and if so, what qualities stood her out of the numerous others that competed for his heart, love and affection?

Smiling infectiously, Jim volunteered, “I am going to tell you everything you need to know. As a matter of fact, I am going to use this opportunity to finally break my silence over this issue. As you rightly pointed out, a lot has been written about my new found love, most of them largely speculative in nature.

“Yes, it is true. I have found the woman of my dreams, and we are in love in totality. She is the embodiment of all that I have been looking for: tall, pretty, exotic and supremely intelligent. I was looking for a woman who would complement and reinforce my intellectually curious mind -someone who would add and not subtract, and I’m happy to admit that I have finally found her. Her name is Phil, and I would leave it at that.”

How They Met, “I met Phil sometime last year in the United States. She’s of Caribbean ancestry – more specifically Jamaican. We had a movie shot in Baltimore and Phil was invited by her then friend, Ruth Okoro, to the set, and we had an instant connection. Initially, I thought I was just going to have a good time with her, and keep it moving.

But her beauty, intellect, deeply ingrained values and an abiding capacity to understand and deconstruct me struck me. No other woman I had met ever took time to learn who I was, and what elements and values define my entire being.

Phil’s love for me was not based on my fame, rather she cared much about Jim Iyke, as an individual and not Jim Iyke as a star-actor and Nollywood superstar.

Jim Iyke

I have always believed in the partnership of body, soul and the mind. Oftentimes, the women that crossed my path in the past were more interested in the partnership of the body. But Phil possesses both the intellectual ability and the traditional values that were in short supply with my recent past relationships.” In the past few months, the tabloid
newspapers had regaled their readers with the case of betrayal on the part of Jim’s new found love.

According to reports, “Phil, supplanted and betrayed her close friend, Ruth Okoro, who was said to be seeing Jim Iyke at the time she introduced her then best friend, Phil to the Nollywood Sexiest Actor.” As a result of this betrayal, the two erstwhile friends are mortal enemies today. Asked if he ever had an affair with Ruth, Jim replied in the negative.

“No. Ruth is not my kind of woman, and the notion that I was seeing her is totally preposterous. How could I be seeing Ruth, when she was even married to my boy, Philips Ehigiwina? She was sleeping around with Emeka Ike. I have values and moral ethos, and those values were in conflict with what I was seeing.

That was the reason I called Ruth’s husband in Texas, and asked him to come to Maryland and see what his wife was doing with Emeka Ike.

Ruth was caught red handed in bed with Emeka Ike, and she knows this to be the truth. All the nonsense that was written about my alleged jealousy because Ruth was seeing both Emeka and me, were pieces of junk journalism. It is true that Ruth introduced me to Phil. I didn’t need to deny that.

I saw a winner in Phil and I went for her. I have no regrets. What Ruth wanted from me, unfortunately, I couldn’t give it to her because of the fact that I have some morals in me. All the negative things she has said about Phil never bothered me because I know who she is, and I am comfortable with who she is.”

By Ali Baylay

To put it bluntly, this is a movie that attempts at the inner state of mind of the center character, Sandra (Genevivie Nnaji), but we never get acquainted with her motivation for the kind of rebel without cause behavior of Sandra.

Nwafor Anayo’s For Better or For Worse (2003), starts with Sandra  entering her father’s  living-room-turned-dance-hall, full of partying guests, and with her nose in the air, she weeds unfavorable members from the guests and ask them out. And even as she takes the floor, no one dares join her, until she beckons them to the floor. Here, we are introduced to Sandra as an insolent, cigarette-smoking rich girl who attends a parochial school, in a rundown neighborhood, where she’s hailed as a queen.

She’s heedless to the warnings and threats of both her father and a step-mother she dares not set eyes upon. There’s not a single attribute for the wanton behavior Sandra carries on in this movie, only for the fact that her mother is past, how long, story doesn’t tell,  but raised by her father and his second wife.

Sandra goes from one self-destructive behavior to another. She steals money and other belongings from her father, buys drugs and throws elaborate hotel pool-party, and in a drunken stupor, she hits a child  with her car almost to death. At this point, Sandra seems possessed by a demon, but is rescued from damnation by Michael (Emeka Ike), a boy friend with a humble background. For the sake of Michael’s love, her high wire destructive behavior simmers a little as she accepts constrains placed on her by him, and that takes a hundred and eighty degrees turn in her character.

Sandra and Michael enjoy a short period of relative peace of love until the uncompromising father of her offers Michael an ultimatum that askews the relationship:  Become pilot trainee in the father’s airline company and have a career in exchange for Sandra. Michael accepts career as a pilot  reluctantly, and Sandra is turned down by Michael even as she dogs him all over town.

Michael goes on to become a pilot and Sandra goes abroad to the US for studies. However, a big chunk of Sandra’s love remains in Michael’s heart as he keeps her picture with him  in the cockpit of the plane. Sandra comes back to town from the US with a fiancee, Jonnathan (Clem Ohameze), a four-one-nine don, and happens to run into Michael at a restaurant. There’s a brawl between the two fellas-Michael and Jonathan.

After series of attempts to take Sandra back from the American boy, even to the point that he loses his job with the airline, and crashes his car in a self-suicidal mission, he relents. Sandra and her parents find Jonnathan is fake and tricks him on his last mission to pilfer one hundred thousand dollars from Sandra’s father, by paying him off in counterfeit dollars, as long as he leaves Sandra and never comes back. Sandra goes knocking at Michael’s door for forgiveness, and when Michael couldn’t, she decides to go back to the states to finish her schooling.

For Better or For Worse isn’t about for better  for worse,  because, there isn’t a scene where marital vow is exchanged to validate  title of this movie. It is neither a lesson for overprotective parents, nor lesson for wanton children nor a blueprint for Romeo and Juliet,  but a share 226 minutes of past time .